Dante by Nick Havely(auth.)

By Nick Havely(auth.)

A complete consultant to Dante’s existence and literature, with an emphasis on his Commedia. this article seems to be on the affects that formed Dante’s writing, and the reception of his paintings by way of later readers, from the 14th century to the current.

  • Introduces Dante via 4 major techniques: the context of his lifestyles and occupation; his literary and cultural traditions; key topics, episodes and passages in his personal paintings, in particular the Commedia; and the reception and appropriation of his paintings by way of later readers, from the fourteenth century to the current
  • Written via knowledgeable Dante pupil
  • Provides new translations of considerable passages from Dante’s poems and from the realm of his contemporaries
  • Includes explanatory diagrams of Dante’s 'other-worlds', and a piece of illustrations via medieval and glossy artists
  • Builds a shiny and intricate photograph of Dante's mind's eye, mind and literary presence
  • Helpful bibliographies contain suitable net resources

Chapter 1 Landmarks of a existence (pages 1–56):
Chapter 2 Texts and Traditions (pages 57–125):
Chapter three analyzing Dante (pages 127–210):
Chapter four Postscript: Dante's Readers (pages 211–263):

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Additional resources for Dante

Sample text

A recent Italian writer on Dante has described him as the sort of person ‘that one cannot imagine ever having been a child’ (Dossena 1995: 127). In his work, however, Dante seems to show considerable interest in childhood. His early collection of love-poems and commentary, La vita nuova (‘The New Life’, probably completed 1294) describes how he saw for the first time, at the age of eight, ‘the glorious mistress of my mind whom many called Beatrice’ (VN ch. 1). Later, in the Commedia, his persona reverts a number of times to a childish state, including when he meets Beatrice again in the Earthly Paradise and she speaks to him as severely ‘as a mother to a child’ (Purg.

The pope wrote [in October 1300] that he wanted Messer Charles to make peace in Tuscany, opposing those who had rebelled against the Church. This commission of peacemaker (paciaro) had a very good name, but its purpose was just the opposite, for the pope’s aim was to bring down the Whites and raise up the Blacks, and make the Whites enemies of the royal house of France and of the Church. (Compagni 1986: 33–4) Domination of Tuscany was part of Boniface’s overall plan for Italy; and Charles of Valois, with a force of 500 knights, having duly crossed the Alps in early July 1300, marched through Tuscany bypassing Florence in midAugust, and arrived in Rome in early September.

Ill-fated activities’: Dante, the pope and Florentine politics As the conflict developed, Dante’s own political career got under way; and his participation in public discussion of such matters as elections of the priors and legislation against the magnates is documented in 1295 and 1296. Advancement in such a career depended upon membership of one of the seven major guilds (arti maggiori), and accordingly in the records of the Guild of Physicians and Apothecaries for 1297 there is listed the name of ‘Dante d’Aldighieri degli Aldighieri, poeta fiorentino’.

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