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After 9/11: A Troika of Perceptions of President George by Nassef Manabilang Adiong

By Nassef Manabilang Adiong

The researcher is investigating at the perceptions of the 3 leaders in maneuvering and dashing up the laws of the debatable united states PATRIOT Act that when the notorious Sept. nine, 2001 occasion, this act was once enacted in under one month and 13 days within the Senate and authorized (Oct. 26, 2001) through Pres. Bush instantly. the aim of this examine is to evaluate the schema of the 3 US leaders utilizing Operational Code research throughout the Verbs In Context procedure approach to content material research in influencing the production of the acknowledged legislations. it will additionally convey if the perceptions of the 3 US leaders are consonance with a definite trend of political trust, which one way or the other impact the contemplating different leaders as manifested in developing anti-terrorism legislation all over the world.

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Extra info for After 9/11: A Troika of Perceptions of President George Walker Bush, former Secretary of State Colin Luther Powell and former Secretary of Defense Donald Henry Rumsfeld on the Creation of the USA Patriot Act of 2001

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S4 Diderot verfolgt diese Ideen weiter in seinem Artikel Beau der Enzyklopädie und verbindet sie mit epistemologischen Fragen in der Leure sur les sourds et muets. Neben diesen, das Schöne und das Wohlgefallen auf objektive Gesetzlichkeiten gründenden Reflexionen (Diderot wendet sich wiederholt scharf gegen das Subjektive, die Willkür. das Imaginäre), gibt es in Diderots Werken einen anderen Ansatzpunkt für Fragen der Ästhetik. Hier spielen die bisherigen Begriffe (rapports, Naturgesetzlichkeit) keine Rolle; erst in der späteren Entwicklung treten die beiden Blickpunkte zuweilen in Beziehung.

1'1 poetic" 102-3 (Si flis m~ fle,~. dol~"dMm m p,imMm iP1i tibi) zitien. Diese Auffassung ist auch mit der Forderung, daß die Kunst vor allem Awdruck von Emotionen sein soU, verknüpft und nimmt in manchem die spätere Einfühlungstheorie vorweg. (Vergl. z. B. Giampaolo Lomauo, T,,,tt,,to d~lrll'u d~ILA pittM''', Milano 1584, vol. 11, I p. ) Dies entspricht Diderots Auffassung des sensiblen Schauspielers in den E"tr~ti~ns 1M' I~ Fils natM,~I, z. B. , p. 104. HEuEJlT DIEcKMANN und kommt dann zu dem, was ihn eigentlich beschäftigt: Beispiele völliger Täuschung sind zahlreidt und faktisch richtig, doch diese Illusion ist nicht die Quelle des ästhetischen Gefallens.

Charles du Fresnoy hat Horaz und Simonides in einer oft zitierten, einflußreichen Stelle seines Gedichtes De arte graphiea (1667) beredt vereinigt: Ut pictura paesis erit; similisque Poesi Sit Pictura: refert par cemula quceque sororem, Alternantque vices et nomina: muta Poesis Dicitur hzc, Pictura loquens solet illa vocari. Quod fuit auditu gratum cecinere Poecz: Quod pulchrum aspectu Pictores pingere curant: Quceque Poetarum Numeris indigna Euere, Non eadem Pictorum Operam Studiumque merentur.

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