Theatre

A Biographical Dictionary of Actors, Volume 13, Roach to H. by Professor Philip H Highfill Jr PhD, Professor Kalman A

By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans

Just like the works already released, those most recent volumes of the Biographical Dictionary care for theatre humans of each ilk, starting from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.Also well-known is Susanna Rowson, a novelist, actress, and early girl playwright. even supposing born right into a British army kinfolk, Rowson usually wrote performs that handled patriotic American topics and spent a lot of her occupation at the American stage.The theatrical jewel of those volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our mind's eye the fables of mythology, of the heroic and dignified mortals of elder time." She persisted a lot tragedy herself, together with a crippling debilitating disorder and the deaths of 5 of her seven childrens. Siddons performed significant roles in either comedy and tragedy, no longer the least of which used to be a functionality as Hamlet.

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Extra resources for A Biographical Dictionary of Actors, Volume 13, Roach to H. Siddons: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

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Then, after that single appearance, she seems to have left the London stage. When Theophilus Cibber wrote his seriocomic Apology in 1748 he spoke of Mrs Roberts as then dead. ] d. 1738, boxkeeper. The London Stage calls the boxkeeper Roberts at Goodman's Fields Theatre in 173334 John Roberts, though the benefit bill cited for him on 17 May 1734 does not supply a Christian Page 13 name. He was a boxkeeper at Goodman's Fields from as early as 172930 through 173536, after which he moved with Henry Giffard's troupe to Lincoln's Inn Fields playhouse in 173637.

There is no certainty that Roberts participated on that date, but it is likely. Roberts sang the Queen's birthday ode on 30 April 1690 and again on 30 April 1693. James Brydges wrote in his Diary on 23 March 1698: "I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven. . " The Post Boy of 2629 March advertised another concert, at York Buildings, for the benefit of Roberts and Draghi, on the thirtieth. It is likely that Frank Roberts was related to Francis Roberts, whose compositions were commended by Roger North in the early years of the reign of Charles 11 as closely imitating the style of Lully.

She may also have been the Mrs Roberts who acted at the Smock Alley Theatre in Dublin in 175354. Roberts, Mrs [fl. 1770]. ] [fl. ]. Roberts, Miss, later Mrs Cooper, then Mrs John Bernard the first. See BERNARD, JOHN. Roberts, Miss [fl. 17341737], actress. The London Stage states that Miss Roberts was making her first appearance on that stage when she played Cupid in Brittania at the Goodman's Fields Theatre on 25 September 1734, but Reed's "Notitia Dramatica" transcribes the bills as saying she was making her first appearance on any stage.

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