• War
  • Final Blackout

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    Parallel zum Wissenschaftsglauben entsteht im 19. Historical events depicted in narrative form have a profound impact on children because they form an emotional attachment with characters. Other genre writers, like Sebastien Japrisot, created crime novels that reflected literary experimentation (Trap for Cinderella, 1860465528.) However, since this time most critics have chosen to consider anything with a crime fiction label as not having literary value.
  • War
  • Forgive & Forget (Love in the Fleet Series) (Volume 1)

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    It won various awards including Golden Lion at the Venice Film Festival. [41] It was attacked by French critics and was for five years banned in France. [42] Few films before the late 1970s about the Vietnam War actually depicted combat. [43] The exceptions included The Green Berets (1968). [43] Critics such as Basinger explain that Hollywood avoided the subject because of opposition to United States involvement in the Vietnam War, making the subject divisive; in addition, the film industry was in crisis, and the army did not wish to assist in making anti-war films. [43] [44] From the late 1970s, independently financed and produced films showed Hollywood that Vietnam could be treated in film.
  • War
  • Lisette's List: A Novel

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    Paired with the OBs are loss tables, which break down the battle casualties into killed/wounded/missing categories and further indicate percentage loss figures for each unit. The meeting may occur on Earth, in space, or on another planet. Called to the neutral zone to help negotiate peace between the Romulans and the Federation, Picard and the crew of the Enterprise are confronted by the mysterious Shinzon, a man who claims to be Picard's clone.
  • War
  • The Winds of War and War and Remembrance

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    Commonly referred to as just "Hubin's", there have been periodic updates with the latest, a revised edition of Vol. 4, updated to 2010, purportedly the final CD edition, was released in 2015 on CD-ROM, by Locus Press. Description: Historical Fiction for TEENs in 4th-5th grades who read books 100 pages . The English setting, and atmosphere, is similarly portrayed, as it actually existed in the seventeenth century.... [tags: English Literature Essays] The Agency by Y. Shakespeare’s plays are classed as Comedies, Tragedies or Histories.
  • War
  • The Fairchild Family

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    However, Neale notes, films set in the American Civil War or the American Indian Wars of the 19th century were called war films in the time before the First World War. [1] The critic Julian Smith argues, on the contrary, that the war film lacks the formal boundaries of a genre like the Western, but that in practice, "successful and influential" war films are about modern wars, in particular World War II, with the combination of mobile forces and mass killing. [2] The film scholar Kathryn Kane [6] points out some similarities between the war film genre and the Western.
  • War
  • The unveiling of Lhasa

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    There are also self-help books and many types that might be considered reference material, like encyclopedias. Just as, for Gouanvic, the "poetics of the other" was best defined in Bruss's failure to achieve it, here this "imaginative swerve," taking fiction out of the pedestrian realm of scientific extrapolation, is discussed at length in relation to the work of another Fleuve noir anticipation writer Stefan Wul. So, for instance, Homer’s Iliad and Milton’s Paradise Lost are both considered to be a part of the epic genre, even though they were written centuries apart, because they share similar thematic elements.
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  • Empire and Honor

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    Students can either write or type the content for their book jackets, but the content and drawings must be original. Then, she saw the woman get back into the car and try to start it. Dir: Mel Gibson With: Mel Gibson, Sophie Marceau, Patrick McGoohan Biography They put bunks and straw mattresses in the barn, and we went to work every morning as contract labor in a malt-syrup factory. What are you doing here at this time of night?� �I'm having car trouble. In our decade, changes in the audience for SF and fantasy are stimulating a preference for certain themes, characters, settings, etc.
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  • Flanders

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    His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister. So I bought this island built this house, and here I do my hunting. Typically this is a murder, but in principle, it could be any crime. The rest, however, came from the outside in the form of rabid Beverly Lewis fans who weren’t shy about taking to Amazon and other online forums to point out what they saw as inaccuracies in Eicher’s work. “The Beverly Lewis people were furious with me,” he said. “I had to go through two series to get out of that.
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  • Forbidden (Medieval Trilogy)

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    She lived among the Eskimos, could turn into dry ice, travelled at the speed of light, & could become invisible by blending in with the Aurora Borealis. These ominous conditions induce More to coin a pun and imagine a place with a mighty host of offspring in science fiction: Utopia, the good place (eutopia) which is noplace (outopia). This week marks the twenty-year anniversary of the fall of the Berlin Wall, an event which helped end the Cold War.
  • War
  • Birdmen: A Story about Our Wars

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    He claims, on the basis of scientific-sounding theories, that insects will ultimately win the fight for survival on planet Earth because of their adaptability and ability to reproduce rapidly, and that the human race will lose this fight largely because of excessive individualism. The show takes place years after the First Cylon War, in which unbelievable bloodshed and destruction came from a robot uprising. Armed Forces because of the status of the Philippines as a U. With the loss of the Cold War context, as well as the ever-increasing possibilities of computer-based special effects (particularly the prospects for producing convincing CGI creatures, as in 1993's ), and perhaps, the declining salability of the idea of "enemyness" as described by Tom Englehardt in his book,, action movies became ever more the province of science fiction and fantasy. ( 18 ) The comic book superhero (and supervillain) certainly flourished on screen as never before, 1989's convincing Hollywood of the idea's cinematic potential, and even before 2000's initiated a rush of superhero films unprecedented in sheer volume, commercial success and quality that might fairly be called a golden age for superhero films, Tim Burton's big gamble launched a long string of such films. ( 19 ) These included, which dominated their respective summers).