Similar to prior editions, the purpose of the fourth edition of the FUTURE OF THE MUSIC BUSINESS, published in August 2015, is to provide a road map for success in the music business – not only for musicians, songwriters and producers – but also for entrepreneurs and industry professionals. Technology has profoundly changed the recording industry and the music publishing business. Entirely new rules, business practices and models have emerged at breathtaking speed including in the several years since the publication of the third edition in 2008. The fourth edition explains the most recent rules, business practices and models, and offers insights into how to take advantage of them.
The purpose of this website is to update the book and to promote it to readers ho have not bought a copy by offering segments of the book’s contents including the Foreword by Amanda Palmer and Table of Contents.
Introduction “The Current State of the Music Business” provides a status report on the current state of the recording, music publishing and the touring businesses.
Part I provides an overview of the basic rules and business practices that apply to the record and music publishing business today. We discuss how copyright law protects songs and recordings, standard contracts including management, label and producer deals and the most recent rules and business practices that apply to the new means of distributing music, that is, downloading, streaming and webcasting, and how those rules differ in foreign countries.
Part II is intended for producers of audiovisual works such as films, documentaries, and television. This section includes information on audio-only projects such as compilations and music sampling, special projects such as musical theatre and fashion shows, and stand-alone digital projects such as web series and digital sheet music. The emphasis is on how producers seeking music for their projects can save money.
Part III offers a history of the recording industry’s struggle to come to grips with the digital era, analyzes the current state of music piracy, explores various current controversies, and provides some hope for the recovery of the record business.
Part IV provides a “how to” in the digital age on topics ranging from ranging from how to write hit songs in the digital era to using digital tools such as YouTube to succeed to how to use a music education to succeed as a creator or music business professional.
THE BOOK INCLUDES LINKS & PASSWORDS TO ON-LINE VIDEOS ON MUSIC BUSINESS & LAW and COPYRIGHT INFRINGEMENT. ATTORNEYS WHO VIEW WILL RECEIVE 2 FREE CLE CREDITS.